aksara: prologue at Taman Ismail Marzuki Catalogue

aksara: anomali at Tokonoma Fatmawati Catalogue

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aksara: prologue at Taman Ismail Marzuki Site Photos

aksara: anomali at Tokonoma Fatmawati site photos

“PROLOGUE”The ease of internet access in this day and age has provided the speed of information for every single level and corner of society. With technology playing a large instrumental part in modern everyday life, the use of it has become the norm. Knowing that norm, it's no surprise that the growth of the arts and the creation process of an artist often actively studies the connections between humans and tech that are interconnected in complex and often unpredictable ways. Indonesia did not escape from this complex, the development and topic of contemporary art in this country is full of many artists who explore the tech mediums that were originally located outside the arts. A world of new possibilities without loss of identity.In the Indonesian language, Aksara, meaning a system of an existing language that is represented with symbols, is a part of creating. That system is important to take into consideration in an artist's creation process of self expression. Creation processes of artists will always be connected to the mechanization of modern life and the technologies we face.The lives of contemporary Indonesian youth have been interfered with and influenced by a multitude of media and easily accessed tools, not only have they positioned themselves merely as consumers, but also the producers of media content. Today, when “Video” is so easily accessible, availability of increasingly cheaper and easier to handle media production equipment, and massively locally developed, Video Art is the most deserving of discourse as an art discipline.When platforms like Tiktok brings fifteen second edits of techno music with someone in front of a green screen running away from a dinosaur (one of the actual works exhibited at aksara: prologue exhibition) reaches a million views (which is an art in itself) and the use of editing and “sound engineering” is easily accessed by everyone, who can decide what is video art and what isn't?This anomaly demonstrates that these works of video art are part of a national creative and social vanguard that reflect on, criticize and rework the multidimensional impact of the visual media in imaginative and innovative ways. Especially combined with local geniuses, there should be more light on Indonesia being one of the world’s most vibrant sources of contemporary art, media experimentation, and innovative interdisciplinary framework of visual culture.“ANOMALI”After discussing themes of a creative process in a post-internet society and the anomalies of Indonesian local genius interpretations of the internet, it sparked a spirit to create more on themes of anomalies. Thus, birthing the concept of ANOMALI. Reflections on everyday life that at first deemed normal, aren’t normal at all.(coming to you soon May 2023)

ANGGUN PRIAMBODO“SEXY BEAR” (2003)
VIDEO, SOUND, COLOR
6:41 MINUTES
“CRASH” (2004)
VIDEO, SOUND, COLOR
45 SECONDS
“SINEMA ELEKTRONIK” (2009)
VIDEO, SOUND, COLOR
4 MINUTES
“BELAJAR MIRING” (2010)
VIDEO, SOUND, COLOR
1:07 MINUTES
“MENDARAT” (2011)
VIDEO, SOUND, COLOR
2:06 MINUTES
“GELORA” (2015)
CELLULOID & VIDEO , SOUND, SEPHIA (BW)
8:16 MINUTES
ANGGUN PRIAMBODO IS A GRADUATE OF THE JAKARTA INSTITUTE OF ARTS (IKJ), JAKARTA IN 2002, MAJORING IN INTERIOR DESIGN. ANGGUN IS THE DIRECTOR OF A NUMBER OF SHORT FILMS, COMMERCIALS AND MUSIC VIDEOS. HE IS ALSO KNOWN AS A VISUAL ARTIST WHO SPECIALIZES IN PRINTMAKING, VIDEO, AND PAINTING. HE HAS MULTIPLE AWARDS FOR DIRECTING AND ALSO TOOK PART IN THE VERY FIRST JAKARTA VIDEO ART FESTIVAL “OK. VIDEO” (2003).

MAHESA ALMEIDA3 CHANNEL AUDIOVISUAL
(2013)
MAHESA ALMEIDA WAS BORN IN BALIKPAPAN, INDONESIA. HE CURRENTLY WORKS A LOT IN THE FIELDS OF MUSIC AND PICTURES. TAKING A LOT OF INSPIRATION IN HIS WORK PROCESS COMES FROM HIS DAILY LIFE SUCH AS VIDEO GAMES THAT HE OFTEN PLAYS, CREATING AND REPROCESSING GIVING NEW NARRATIVE STORIES. HE AND HIS WIFE FORMED A SOUND AND VISUAL PROJECT CALLED KRACOON. HE ALSO PARTICIPATED IN EXHIBITIONS AND PERFORMANCES SEVERAL TIMES SUCH AS LAUSSANE UNDERGROUND FILM & MUSIC FESTIVAL IN 2013, SYNTAX ERROR IN 2014, AND WAS INVOLVED IN A MEDIA ARTS RESEARCH AND DEVELOPMENT PROJECT IN INDONESIA AT THE NATIONAL GALLERY OF INDONESIA IN 2017.

SAN JONASYONAZ KRISTY UNDER THE MONIKER SANJONAS IS YOGYAKARTA BASED ARTIST, GRAPHIC DESIGNER, ELECTRONIC MUSIC PRODUCER, AND DJ. SPENDING MOST OF HIS TIME SURFING THE INTERNET, RPG GAMES, AND READING MANGA MADE A BIG IMPACT ON HIS PERCEPTION WHEN THINKING ABOUT WHAT IS REAL AND UNREAL. HIS WORK OFTEN EXPLORES THE SPATIAL RANGE OF DESIGN, TOOLS, AND COMPOSITION OF POSSIBILITIES FOR CREATING VIRTUAL ENVIRONMENTS, FICTION, AND NARRATION WHICH PEOPLE BELIEVE IN THE SO-CALLED FUTURE. HIS WORK MOSTLY EXPANDS IN THE FORM OF MOVING IMAGES, SONIC, DIGITAL PAINTING, NFTS, ZINES OR ANY PRINTED MEDIA, PARTY, ETC. HE IS ALSO THE FOUNDER OF RAR EDITIONS (2012) WHICH IS AN INTERDISCIPLINARY COLLECTIVE FOCUSING ON RESEARCH AND ARCHIVE-BASED PROJECTS, THE CO-FOUNDER OF BAST CULTURA (2019) ELECTRONIC MUSIC COLLECTIVE AND INTERMEDIA COLLECTIVE WITH THE AIM TO INFILTRATE AND EXPERIMENT IN EVERY EXISTING LAYER OF THE ELECTRONIC MUSIC SCENE.

ISLA COLLECTIVO”LUX E TRANCE - LA PUERTA DE SATURNO” (2022)
VIDEO
27 MINUTES
THIS IS A VIDEO ART INSTALATIÓN, MADE IT WITH THE WORK OF 54 EXPERIMENTAL PHOTOGRAPHIC ARTIST WHO WERE PARTICIPANTS OF THE EXPERIMENTAL PHOTO FESTIVAL BARCELONA 2022, INCLUDES COMPUTER GENERATED IMAGERY, GENERATIVE & ALGORITHMIC ART, AUDIO & SOUND INSTALLATION. THE EXTENDED VIBRATION REINTERPRETS THE PROPHECY THAT DEFIES THE LAWS OF REASONING; THE IMAGE AS MEDITATION, THE IMAGE AS A REFLECTION OF THE TRANSFORMING WORLD, ISLA IS A WITNESS AND EMBRACES ERROR. ISLA DECODES THE SIGNALS AND DISCOVERS IN THE ALCHEMICAL RESULT A WAY TO SENSITIZE THE COLLECTIVE UNCONSCIOUS. IT IS NOT ACCIDENTAL THAT ISLA IS A PART OF THE MODERN FETISH OF EXPERIMENTAL PHOTOGRAPHY.

OSCAR VAN DER LAAN“THE DANCING DOLLS” (2022)
VIDEO
10:56 MINUTES
AN ALBUM WITH A SERIES OF VIDEO CLIPS THAT REFLECT ON TODAY’S POP-CULTURE. FOR THIS PROJECT, I STARTED BY RESEARCHING TODAY’S POP-CULTURE. THROUGHOUT THE PROCESS, I FOUND A WAY OF CREATING A VISUAL LANGUAGE FOR MYSELF BY CUTTING INTO FOAM AND BENDING IT. I APPLIED THIS MATERIAL TO A SERIES OF COSTUMES MADE FOR FOUR VIDEOCLIPS. THE ALBUM REFLECTS ON THE LUXURY DIGITAL TIMES WE LIVE IN IN WHICH YOU CAN ORDER YOUR GROCERIES AND AMUSEMENT HAS BECOME CHEAPER THAN FOOD. I CHOSE TO DISTRIBUTE THIS PROJECT ON THE INTERNET SO THAT EVERYBODY CAN ENJOY IT ANYTIME, ANYWHERE.

HENRY LUMBA“PHASE 1 PART A”
(2022)
2:20 MINUTES

“CHOICE STEP” (2022)
VIDEO
1:04 MINUTES
CHOICE STEP. THE FIRST STEP IS TO FIND THE END POINT WHICH IS STILL GRAY IN COLOR, LIKE THE WIND THAT DOESN'T KNOW WHERE TO GO, WHETHER IT'S LOOKING FOR IT, OR THIS IS THE RIGHT PATH. GETTING LOST AT THE START WITH ONE PRE CONSIDERED STEP, UNTIL WE FIND THE END POINT ITSELF.

ADIVA AYUNINGTYAS
“TANPA SUARA” (2022)
1:29 MINUTES

ARI DINA KRESTIAWAN“PIKNIK KIT”
VIDEO & INSTALLATION
7:15 MINUTES
ARI DINA KRESTIAWAN WAS BORN IN SEMARANG, 1976. GRADUATED FROM THE DEPARTMENT OF COMMUNICATION AT DIPONEGORO UNIVERSITY IN 2002, AND HAD RECEIVED A SCHOLARSHIP FROM THE JAKARTA INSTITUTE OF ARTS (IKJ), HE IS ONE OF THE FOUNDERS OF WWW.GILASUTING.COM. HE WON THE BEST DIRECTOR AND VIDEO CLIP AWARD IN THE 2005 INDONESIAN INDEPENDENT VIDEO CLIP COMPETITION HELD BY THE JAKARTA INSTITUTE OF ARTS FACULTY OF FILM AND TELEVISION. CREATING ART AND PARTICIPATING IN VARIOUS NATIONAL AND INTERNATIONAL VIDEO FESTIVALS.

MAGAFAKA“PINTU”
AUDIOVISUAL
AGAM, OFTEN KNOWN AS MAGAFAKA, IS A JAKARTA-BASED VISUAL ARTIST WHO COMPLETED HIS STUDIES AT THE JAKARTA ARTS INSTITUTE WITH A FOCUS ON FINE ARTS AND PAINTING. SOME OF HIS WORKS WE OFTEN ENCOUNTER, SUCH AS PAINTINGS, PHOTOGRAPHY, VIDEOS, AND COLLAGES. MOST OF HIS WORKS ARE VULGAR AND SARCASTIC, THAT'S BECAUSE OF THE RECORDINGS OF CHILDHOOD MEMORIES. HE GREW UP IN A RED-LIGHT DISTRICT IN JAKARTA, FULL OF CRIME AND VIOLENCE. NOW MAGAFAKA IS FOCUSING ON DEVELOPING ITS MERCHANDISE BUSINESS AND ART STUDIO, MAGGIS, LOCATED IN PASAR SANTA (@PASARSANTA), SOUTH JAKARTA.

OKULAR PROJECT“THE BEGINNING THAT LEAD US HOME” (2022)
VIDEO H264
3.58 MINUTES
MERIO FALINDRA IS INVOLVED IN A MULTIDISCIPLINARY FIELD MOSTLY ON FILM AND ART. HE ALSO HAS SO MUCH INTEREST IN ART, CODING, AND TECHNOLOGY ESPECIALLY NEW MEDIA ART THAT IS ALWAYS TOWARD THE CONCEPT OF IMITATING NATURE. MERIO HAS BEEN INTERESTED IN FILM SINCE HE WAS 5 YEARS OLD WITH HIS FIRST FILM, ROBOCOP. 2008 HE MET KINOKI, AN INDEPENDENT FILM SCREENING AND WORKING ON FILM ARCHIVING. AFTER THAT HE WAS INVOLVED IN SOME OF THE DOCUMENTARY PRODUCTION AS A RESEARCH AND PRODUCTION ASSISTANT. MOVING TO BALI 2014, INVOLVED IN MARINE BASED NGO AND WORKED A LOT IN THE EAST OF INDONESIA AS FACILITATOR FOR ECONOMIC AND BIOLOGICAL RESEARCH DEVELOPMENT UNTIL 2016.

SOEMANTRI GELAR“BAHASAKALDU”
VIDEO
3.36 MINUTES
SOEMANTRI GELAR IS A VIDEO ARTIST AND FILMMAKER. WITH A BACKGROUND IN JOURNALISM FROM IISIP JAKARTA, HE IS A MEMBER OF FORUM LENTENG AND ACTS AS THE COORDINATOR FRO HALAMAN PAPUA. HIS VIDEO TITLED "KETIKA AKU PULANG TIDAK ADA MAMAH DI DEPAN PINTU '' WAS SELECTED FOR THE ROTTERDAM FILM FESTIVAL. GELAR IS CURRENTLY DEVELOPING AN ART LABORATORY PROJECT CALLED TURN LEFT AFTER SUNDAY MARKET ALONGSIDE FELLOW ARTISTS.

JOHN FEESHY WALKER"TRIPTYCH (THE SAME OLD BREAD)" (2017)
VIDEO
4:56 MINUTES
JOHN FEESHY WALKER IS A MULTIDISCIPLINARY ARTIST KNOWN FOR THEIR WORK IN NEW MEDIA, VIDEO, GENERATIVE PROGRAMS, SCULPTURE, AND PERFORMANCE. THEIR PRACTICE IS ROOTED IN WORLD-BUILDING NARRATIVES; DRAWING FROM ESOTERIC DIGITAL CULTURE, QUEERNESS, AND THE INTERTWINING OF "REAL" WORLD CULTURAL MOTIONS, THEY SEEK TO DEVELOP MICRO-REALITIES THAT REFLECT BROADER INTROSPECTIONS REGARDING SELF/SPACE AND BLUR THE LINES BETWEEN "REAL"/"FICTIONAL" NARRATIVES.

FORTUNE POOKIES“ETALASE”
(2022)
VIDEO

RANU CUMBOLO“RANDOM ACCESS MEMOIRS” (2022)
VIDEO
2:15 MINUTES
"RAM" RANDOM ACCESS MEMOIRS. A RANDOM MEMORIES WE'VE ALL BEEN THROUGH SINCE THE BIRTH OR THE PROCESS HOW WE CREATE, PROCESS HOW THE UNIVERSE CREATE, PROCESS HOW BUTTERFLY METAMORF. ABOUT HOW A START AFFECTS ALL CYCLES AND ASPECTS OF LIFE.

XINYUAN MA“YOU ARE NON BINARY” (2022)
VIDEO
1 MINUTE
THIS WORK FOCUSES ON THE CONFLICTING MIXTURE OF QUEER EXISTENCE AND PIXELATED REALITY. IN CHINA, THE EXISTENCE OF QUEER PEOPLE IS FORCIBLY PIXELATED AND DE-FRAMED, AND GENDER QUEERNESS IS AN UNRECOGNIZED AND RECOGNIZED EXISTENCE. THE ANTHROPOMORPHIC AND PIXELATED VISUAL MIXTURE OF NON-BINARY GENDER SYMBOLS REPRESENT A STALEMATE AND SYMBIOSIS OF QUEER AND CHINESE SOCIAL REALITY. IT'S A STATE BETWEEN PIXELATED REALITY AND RAW DESIRE, AND WHAT I'M TRYING TO EXPRESS IS A PECULIAR ENDURING PLEASURE THAT RESISTS DELIBERATELY PIXELATED REALITY.
I WAS INFLUENCED BY KEITH HARING, THOMAS HIRSCHHORN (PURPLE LINE) AND OTHERS, AND I WANTED TO EXPRESS THIS TENSION IN A VISUAL LANGUAGE: THE CONFLICT BETWEEN FREE AND PIXELATED. THIS IS A REBELLIOUS STATE OF EXISTENCE.

JULIANE ANGIE MULLER SEBORGA“CONTEMPLATION” (2022)
VIDEO
2:29 MINUTES
WHO AM I?, WHO AM I AS AN ARTIST, AS A WOMAN, AS BOLIVIAN, AS MIX-RACED? ETERNAL QUESTION IN FRONT OF THE MIRROR. MAYBE THIS CAN BE DISCOVERED THROUGH THE ACT OF "DESPOJARSE", TO DESPOIL THE EXTERNAL. EXHIBITIONS: DESTRUKTIVA XIII. FESTIVAL OF EXPERIMENTAL ART AND NOISE. SEPTEMBER, 2022. MÜLHEIM, GERMANY. INTERNATIONAL, SOCIAL AND COMMUNITY FILM FESTIVAL SALVAJE. NOVEMBER, 2022. BOGOTÁ, COLOMBIA.

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